Posts Tagged ‘Andrew Gould’
Andrew Gould featured in Second Issue of Road to Emmaus Journal
In a previous post, I spoke of the great honor of being interviewed for the Road to Emmaus Journal. In June of 2015, I spent a week with editor Mother Nectaria (McLees), discussing the art and architecture of the Orthodox Church. This second issue continues our interview, and is titled Reflecting the Heavenly Jerusalem: Building…
Continue reading »Two New Choros Chandeliers
I have had the opportunity recently to make and install two choros chandeliers, a type of fixture that is of particular interest to me as a designer. I have written previously about similar chandeliers I have installed in churches in Charleston, South Carolina, and Waldorf, Maryland, and I refer readers to those articles for information…
Continue reading »A Carved and Inlaid Cross, a Collaborative Work
I have recently completed a small but highly interesting project, two years in the making, and involving several master artisans. It is a wooden cross with carved stone icons, crafted like a jewel, wholly traditional, and yet quite unlike anything seen before. This is one of those projects that grew, perhaps providentially, from an initially…
Continue reading »Andrew Gould featured in Road to Emmaus Journal
I have had the great honor of being interviewed for the Road to Emmaus Journal. In June of this year, I spent a week with editor Mother Nectaria (McLees), discussing the art and architecture of the Orthodox Church. It was a marvelous and fruitful experience, and I am truly humbled that my words were found…
Continue reading »Developing an Anglo-Byzantine Calligraphy for Memorial Plaques
I would like to describe an especially challenging recent project, in which I had the honor to collaborate with a master calligrapher. I was asked to create a pair of memorial plaques flanking an icon. The purpose was to commemorate donors who contributed to two separate capital campaigns benefitting Saint Nicholas Melkite Church, in Rochester,…
Continue reading »The Question of Polychrome – Part 2: Painting a Byzantine Analogion
This is post 2 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2:…
Continue reading »The Question of Polychrome for Liturgical Woodcarving – Part 1
This is post 1 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2:…
Continue reading »Talks from 5th Annual Climacus Conference now Online
The 5th Annual Climacus Conference was held last weekend in Louisville, KY, organized around the theme of Beauty. I had the honor of giving two talks – one on Orthodox church architecture, and the other on liturgical art. All the talks are available as audio files on Ancient Faith Radio, and I highly recommend…
Continue reading »Woodwork for a Coptic Church in America
I have recently had the pleasure of making an altar set for a Coptic church. This project was somewhat of a challenge for me because the Coptic Church and her liturgical art is not my area of expertise. I had to learn about both the liturgical implements and the historical styles of woodwork unique to…
Continue reading »Heaven Is Round. Earth Is Square.
This is post 4 of 4 in the series “Ancient Cosmology Today” Jonathan Pageau uses a phenomenological approach to explain traditional cosmology and its symbolism, explaining in what manner it is crucial to our experience of being in the world. Most of The Time The Earth Is Flat. Where is Heaven? Heaven and Earth in…
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