Kriste aghdga (Christ is Risen) – Georgian Easter chants

Editor’s Note: This article originally appeared on John Graham’s website featuring his tours of Georgia and Georgian liturgical music. We are reposting it here because it will be of great interest and assistance to any choirs who would like to add Georgian settings of ‘Christ is risen’ to their repertoire. Since posting this, John has added additional…

Continue reading »

Fr. Ivan Moody at SVOTS

As part of their Sacred Arts Initiative, St-Vladimir Seminary is organizing an event with our own Father Ivan Moody. The event is titled Past, Present and Future of Orthodox Music , and some of the tone and content can be already gleaned from the interview that was done with fr. Ivan by Dr. Peter Bouteneff…

Continue reading »

Concert—Deep Roots Are Not Reached by the Frost: The Enduring Russian Sacred Choral Tradition, 1830 to the Present

On May 31, at Holy Trinity Orthodox Church in Danbury, CT, the St. Tikhon of Zadonsk Chamber Choir will give a concert of Russian Orthodox liturgical music in the final installment of the church’s third annual “Music on the Mount” concert series. The St. Tikhon of Zadonsk Chamber Choir is an ensemble of Orthodox professional…

Continue reading »

Review of Cappella Romana’s Passion Week Performance

(the Wall Street Journal also reviewed this performance:’Passion’ and Resurrection) During  Capella Romana’s recent performance of Soviet composer Maximilian Steinberg’s lost work, something became evident to the singers and the audience: while Steinberg’s Passion week is a very complex and lovely piece of choral music, it is a profound confession of faith. Vladimir Morosan gave…

Continue reading »

PaTRAM Institute Launches Website

The Patriarch Tikhon American Music Institute is part of the same effort behind the Patriarch Tikhon Choir who’s latest concert received wonderful reviews.  Under the continual guidance of Vladimir Gorbik, the institute offers many solutions for training North Americans who wish to increase their ability to chant in the Russian tradition.  As usual, our own…

Continue reading »

Notes from the psalterion, updated and annotated — part V, in which bricks and mortar concerns are considered

This is post 5 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…

Continue reading »