Posts Tagged ‘Icon’
Designing Icons (pt.5): Conventions of Traditional Icon Design
This is post 5 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »The Bethlehem Icon Centre
Editorial Note: In the light of recent events in Gaza, I asked Ian Knowles the Director of the Bethlehem Icon Center to introduce us to this wonderful project. In such a desperate political situation, sacred art has been focal point to bring about collaboration between Orthodox, Coptic, Catholic and Syrian Palestinians in the desire to…
Continue reading »Designing a Syrian Orthodox Panagia
I was recently asked by a young student of St-Vladimir’s Seminary to make a Panagia which he wanted to give to his bishop. This student is of Indian background and a Syrian Orthodox. I have always been fascinated by Orthodoxy in India, the stories of St-Thomas, the link with Nestorian Christianity and also their long…
Continue reading »Designing Icons (pt.4): Researching Festal Icons
This is post 4 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Medieval Art from Catalonia
The utmost french speaking resource website for Orthodoxy, www.orthodoxie.com, has a very beautiful Flickr stream of the National Museum of Catalonia. It is an amazing showcase of Western icons, liturgical objects, frescoes and furniture from the Early Middle Ages. When looking at the images, what strikes me the most is the boldness in color bringing about a…
Continue reading »Designing Icons (pt.3): New Icons
This is post 3 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Designing Icons (pt.2): Icon Prototypes
This is post 2 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Designing Icons (pt.1)
This is post 1 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Branislav Đerković : Surgical Miniature
A few weeks ago, I introduced you to a Serbian miniaturist named George Bilak. Here is yet another Serbian miniaturist who has recently grabbed my attention. His name is Branislav Derkovic and he lives in Northern Kosovo, in a town called Leposavić. What struck me most of his carvings is the astounding perfection in detail, the…
Continue reading »New Wall Painting
In August I completed a wall painting on the east wall of my medieval parish church, The Greek Orthodox Church of the Holy Fathers, Shrewsbury, England. On some of the other walls there already exist simple medieval wall paintings, dating from around 1380 A.D., but the east wall was newly plastered during recent restoration work…
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