A Life of Icons – Interview with Anna Gouriev

Anna Pokrovsky Gouriev is a professional iconographer working in the United States. Originally from Russia, she is the daughter of Ksenia Pokrovsky who was one of the instrumental voices for the rediscovery of traditional iconography in the 20th century. Jonathan Pageau teaches with her at the Hexaemeron School of Ecclesial Arts, and it is in…

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Conserve or Restore? A Question of Ancestor Kisses

Conserve: To protect from loss or harm; to keep quantity and quality constant through physical or chemical reactions or evolutionary changes. Restore: To bring back into existence or use; to return to an original condition. Close in definition, the differences when applied to art treasures can be catastrophic. Consider the botched effort to “restore” Elías…

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The Falling Asleep of Ksenia Pokrovsky

News that Ksenia Mikhailovna Pokrovskaya had fallen asleep in the Lord on Sunday, July 7, 2013 was a profound shock. Though she had chronic hypertension, she had not been ill. She was tired, yes, for many years, but still actively sharing her wisdom and knowledge with clarity and generosity.  For both her family and friends…

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Andreas Ritzos and OAJ Nexus

  When Andrew Gould launched the Orthodox Arts Journal (OAJ) in June of 2012, he had in mind the clearinghouse model it has become. It is a service that informs and engages readers in helping to create a culture that values quality Orthodox arts. It is hoped by this effort that a market will emerge…

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Iconography in the Atlantic Rain Forest

We at Hexaemeron celebrated our tenth anniversary almost 5000 miles from home base. Returning from an iconography workshop we held in the Atlantic Rain Forest of Brazil, January 19 to 26, we had time to reflect on our past and future: it seems like only yesterday when we started in 2003 with 30 students. And…

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Painting an Icon; the Hexaemeron Workshop

I am not an icon writer nor am I an icon painter, if it makes a difference. I am the founder and administrator of the non-profit organization Hexaemeron which sponsors courses in iconography. As such, I once attempted to make a St. Paul icon to familiarize myself with the process so that I could write…

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