Degraded Iconicity IV: Symbolic and Priestly Craftsmanship

This is post 4 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…

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Degraded Iconicity II: Uplifting Materiality and Symbol.

This is post 2 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…

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Cappella Romana to Sing “in Hagia Sophia”, in California

Cappella Romana will be singing two concerts, Friday and Saturday nights, at Stanford University in California. Friday’s concert in Stanford’s Bing Concert Hall,”From Constantinople to California”, will by the wonders of acoustic technology, replicate the reverberative sound of the Great Church itself (read about the fascinating method employed below). Those lucky enough to have gotten…

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Theophany and What Sacred Art Does

You enter a silent museum.  Standing at an appropriate distance, you gaze at a piece of art set against a clinically white wall.  The art is lit as to leave no glare or shine and you as the viewer leave no shadow on it.  Enough space is allotted all around the art so to be admired without…

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Designing Icons (pt.4): Researching Festal Icons

This is post 4 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…

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Orthodox Homiletics: A New Website

When we think of the traditional Orthodox liturgical arts, we most often think about the tactile and the sensory; gilded icons glowing with candlelight cast from iron chandeliers, the smell of incense wafting as the priest walks censing the believers as the choir sings praises to the Theotokos. One thing that doesn’t necessarily come to…

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St-John Chrysostom on Liturgical Art

As a liturgical artist, as someone who makes expensive objects to furnish the Church or to be worn by its clergy, there is a homily of St-John Chrysostom I like to keep in the back of my mind.  It is a homily on the Gospel of St-Mathew in which he warns us:   “Do you want…

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