The Church Gesamtkunstverk: Harmony of the Arts in the Church of St. Onuphrius the Great

By Jeffrey A. Gomez

Gesamtkunstwerk, or “total work of art,” is a term popularized by the opera-composer Richard Wagner to describe the ideal integration of multiple art forms into a single creative vision. Clear to the Orthodox Christian, the Divine Liturgy is the supreme expression of this idea, combining communal prayer, Holy Tradition, and all the arts for the…

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Making Magnificent Hammer-Crafted Icons; an Interview with Evan Wilson

By Andrew Gould

Gould: You’ve only recently started making icons using chasing and repoussé, yet your first projects are nothing short of magnificent. Can you tell us something about your background, to put this work in context? Wilson: I am a married father of two young sons, living on the outskirts of Austin, Texas. We attend Transfiguration Greek…

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Vladimir Morosan on The Pursuit of Beauty Podcast

By Dr. Matthew Wilkinson

On two recent episodes of The Pursuit of Beauty podcast, I had the tremendous privilege of interviewing long-time Orthodox Arts Journal contributor Vladimir Morosan. He relates his experiences traveling abroad to the Soviet Union, being given access to photograph thousands of musical scores, and his process smuggling them back to the United States. He founded the…

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An American Kouvouklion: A New Design for the Tomb of Christ

By Andrew Gould

Over the years, I have designed numerous furnishings for American Orthodox churches. Because America has a rich tradition of fine furniture making, I have always felt that liturgical woodwork is one of the areas in which America can offer something distinctive to Orthodox culture. When I was asked to design a kouvouklion (the liturgical “tomb”…

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Organicity and Sham

By Anton Daineko

Author’s Note: This article was written for a Moscow magazine on church aesthetics, and speaks to the situation with church art in parishes of the Russian Orthodox Church. In American churches, the situation is somewhat different. For example, icons and church utensils in America are not manufactured on the massive scale that occurs in Russia.…

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The King’s Iconographer on Hierarchy, Beauty, and the Crisis of Modern Art

I had the privilege of interviewing world-renowned iconographer Aidan Hart. We discussed his time as a hermit, his career as an iconographer, his relationship with King Charles, and…

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From Popsicle Sticks to Iconostasis: Art of an Argentine Master Craftsman

“As a child I was always trying to build things with my hands.” To satisfy his desire to make things and to keep her young son occupied while…

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The Church Gesamtkunstverk: Harmony of the Arts in the Church of St. Onuphrius the Great

Gesamtkunstwerk, or “total work of art,” is a term popularized by the opera-composer Richard Wagner to describe the ideal integration of multiple art forms into a single creative…

Continue reading »

Vladimir Morosan on The Pursuit of Beauty Podcast

On two recent episodes of The Pursuit of Beauty podcast, I had the tremendous privilege of interviewing long-time Orthodox Arts Journal contributor Vladimir Morosan. He relates his experiences…

Continue reading »

Georgian Orthodox Chant – Almost Lost Forever, with Dr. John Graham

In this conversation with renowned Georgian Orthodox chant expert Dr. John Graham, we discuss the origins, history, and preservation of Georgia’s ancient three-part polyphonic sacred music. Dr. Graham—widely…

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Organicity and Sham

Author’s Note: This article was written for a Moscow magazine on church aesthetics, and speaks to the situation with church art in parishes of the Russian Orthodox Church.…

Continue reading »

Windows to the Divine: Orthodox Icons – an Interview with Seraphim O’Keefe

In this captivating interview, iconographer Seraphim O’Keefe shares his remarkable journey from an unchurched teenager in Virginia to a novice monk in the Republic of Georgia and eventually…

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Beauty First: Envisioning a Civilization Worth Restoring (ARC Roundtable)

In February of this year, over four-thousand people gathered at the ARC Conference in London. Among them were a group of phenomenal Orthodox artists invited by Jonathan Pageau.…

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An American Kouvouklion: A New Design for the Tomb of Christ

Over the years, I have designed numerous furnishings for American Orthodox churches. Because America has a rich tradition of fine furniture making, I have always felt that liturgical…

Continue reading »

Building for the Divine: The Art of Orthodox Architecture with Andrew Gould

In this long-format interview, Andrew Gould discusses numerous aspects of liturgical arts and architecture with Anglican organist Matthew Wilkinson. Our conversation touches upon church architecture, Eastern and Western…

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From Popsicle Sticks to Iconostasis: Art of an Argentine Master Craftsman

“As a child I was always trying to build things with my hands.” To satisfy his desire to make things and to keep her young son occupied while she was busy with household matters, his mother bought him a huge supply of popsicle sticks. Ulises Juarez Luna advanced from those hours spent constructing popsicle castles…

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The Memory Keepers

This text is not just an article – it’s also a call for a combined effort. We invite you to support our documentary film the on Svaneti frescoes and the dedicated people who maintain them. Help us to preserve Svaneti’s invaluable treasures of Orthodox Christianity for centuries to come. Georgian church art reflects exceptional artistry…

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The King’s Iconographer on Hierarchy, Beauty, and the Crisis of Modern Art

I had the privilege of interviewing world-renowned iconographer Aidan Hart. We discussed his time as a hermit, his career as an iconographer, his relationship with King Charles, and his artistic influences. I was particularly enlightened hearing about his time as a hermit, which lasted over a decade. He ultimately ascertained that the capacity for silence, reflection, and prayer was better cultivated in his life as a lay iconographer with a family than in the monastic lifestyle. This serves as a beautiful reminder to us that holiness and sanctity can be diligently pursued in the regularity of our quotidian existence. I was previously unaware of the experience that he had as a sculptor prior to pursuing iconography. We discussed the insights that can be gained from cultivating expertise in related fields, whether that be a musician learning vastly different repertoire or a panel iconographer working with frescoes. He relayed the significance of Constantin Brâncuşi, the Romanian abstract sculptor, on his understanding of form, and we dialogued about the spiritual significance of abstraction, especially as exemplified by the early abstractionists like Kandinsky, or even the relative level of abstraction in early Russian iconography in contradistinction to early Byzantine…

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The purpose of this project is to make available online a collection of graphic illustrations of the highest quality. The collection will focus on iconographic drawings and related graphic ornaments stylistically suited to the illumination of printed Orthodox publications. The project will address the needs of Orthodox book designers, graphic artists, and many others, who desire excellent imagery for their publications.

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