The Living Icon

Editor’s Note: This essay was originally written in Russian by master iconographer Anton Daineko of Minsk, Belarus. It beautifully explores the paradox of creativity within iconography from the very personal perspective of a lifelong practitioner. Anton and Ekaterina Daineko regularly teach icon-painting workshops in the USA, which are highly recommended. They have upcoming workshops in…

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“And the Glory of The Lord Filled the Tabernacle” – Some Reflections on the World Premiere of Benedict Sheehan’s Liturgy of Saint John Chrysostom

In the past thirty years, I have attended almost 7000 liturgies in the United States, Canada, Russia, and Greece. Some of these have been in small candlelit chapels in the desert of Mount Athos; others have been in magnificent imperial monasteries with a thousand years of history. I have beheld liturgies celebrated by patriarchs and…

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Church Architecture Doesn’t have to have the Same Objectives as Secular Architecture; An Interview with the Director of the Moscow Architectural Institute, Dimitry Shvidkovsky

Editor’s note: This article is reposted from orthochristian.com.  It describes the current process by which church architects are trained in Russia, and the prevailing attitudes towards style, tradition, and innovation, in this field. A fascinating read for anyone interested in the contemporary rebirth of Russian church architecture. – A. Gould Since 2016, the leading Russian…

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Contemporary Iconographers of Russia

From December 11, 2015 to January, 19, 2016 (Moscow, Russia) “Tsar’s Tower” exhibition hall, in Kazansky railway station, hosted a large-scale exhibition entitled “Contemporary Iconographers of Russia”. The exhibit featured sixty iconographers, masters of mosaic and gold embroidery, jewelers as well as architects from Moscow, Saint Petersburg, Ekaterinburg, Vladimir, Archangelsk and other Russian cities. The exhibit showcased an…

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