Posts Tagged ‘Orthodoxy’
Designing Icons (pt.5): Conventions of Traditional Icon Design
This is post 5 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Notes from the psalterion, updated and annotated — part III, dealing with that strange subspecies called the “musician”
This is post 3 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »The Saint John of Damascus Society on NPR’s “Harmonia Early Music”
The mission of The Saint John of Damascus Society is “revealing Orthodox Christianity through its sacred music”, and one part of how we seek to do this to be a collaborative partner for existing arts organizations and entities on projects promoting Orthodox liturgical music. Our first collaboration to reach the public eye is a segment…
Continue reading »Designing Icons (pt.3): New Icons
This is post 3 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Designing Icons (pt.2): Icon Prototypes
This is post 2 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Designing Icons (pt.1)
This is post 1 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Notes from the psalterion, updated and annotated – Part II, Getting Started
This is post 2 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »New Musica Russica Website
In order to celebrate its 25th anniversary, Musica Russica – a publisher and supplier of a broad spectrum of Orthodox musical recordings – has launched a new, more user-friendly website. OAJ contributor Vladimir Morosan, the founder and director of Musica Russica, said the newly-revamped site will “…make your interaction with our offerings much richer, more…
Continue reading »The Mystery of Ethiopian Iconography
Ethiopian Christianity presents many mysteries to us, their unique use of Old Testament typology, their concentric churches, their claim of having the Ark of the Covenent and its use in liturgy – these all create an obscure but fascinating question. I went to Ethiopia in 2009 to discover more about their liturgical arts. I would…
Continue reading »Towards Indigenous and Mature Liturgical Arts
We often hear it said that traditional Orthodox liturgical arts are reviving. But how far advanced is this revival, how mature is it, and what in fact are we reviving? In this article I would like to stimulate discussion by briefly considering three related subjects: indigenous iconography, maturity, and features of a healthy climate that…
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