Iconography
The Living Icon
Editor’s Note: This essay was originally written in Russian by master iconographer Anton Daineko of Minsk, Belarus. It beautifully explores the paradox of creativity within iconography from the very personal perspective of a lifelong practitioner. Anton and Ekaterina Daineko regularly teach icon-painting workshops in the USA, which are highly recommended. They have upcoming workshops in…
Continue reading »An Interview with Iconographer Vladimir Grygorenko – His Recent Work and Developing Style
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk…
Continue reading »Coming Soon: The Liturgical Arts Academy, August 18-24 2019
English-speaking Orthodox faithful in the United States who have wanted to learn the liturgical arts of the Orthodox Church — music, iconography, vestments, architecture and furnishings design, etc. — have historically had limited opportunities to study with knowledgeable teachers. Some have had the opportunity to go overseas to countries such as Greece and Russia to…
Continue reading »‘The Mustard Seed Garden Manual of Painting’: A Chinese painting manual offers inspiration to iconographers
Truth is truth wherever it is found. In fact, it is all the more delicious when found in unexpected places. I was at the opening of an exhibition of The St John’s Bible, for which I had been one of the illuminators, and fell into conversation with one of the professors at Minnesota University. We…
Continue reading »Wrestling with Angels: Icons from the Prosopon School
The Museum of Russian Icons in Clinton MA will premiere Wrestling with Angels, an exhibition of forty-six contemporary icons by sixteen iconographers from the Prosopon School of Iconology and Iconography, July 19-October 27, 2019. Exploring the recent renaissance of this ancient tradition, the exhibition will feature icons by the founder of the Prosopon School, Vladislav Andrejev, along with works…
Continue reading »Brilliant Darkness: On St. Dionysios the Areopagite’s Blue Halo
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union…
Continue reading »An Iconographer, a Contemporary Artist and a Movie Director Walk into a Bar
Last September, I was invited by Wycliffe College at the University of Toronto to speak on a public panel as a prelude to the annual massive art event called Nuit Blanche. Wycliffe college is a somewhat conservative Anglican school, and on this panel were three artists who identify as Christian and who were asked to…
Continue reading »Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »A Surpassing Gentleness: An Interview with Iconographer Ann Margitich
It is my pleasure today to present the work of Matushka Ann Margitich, iconographer based in Santa Rosa, CA. Her work has a special place in my heart, my favorite among the many icon painters I am privileged to know. She paints the most kindly and gentle figures, with a delicate beauty of color and…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
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