Liturgical Objects
Hand and Machine: Making Liturgical Furnishings
Principles for the Design and Making of Liturgical Furnishings Aidan Hart Handing over from hand to machine A tool in the hand of a craftsperson is an extension of their body, mind and soul. He or she feels the resistance of the stone or wood. Through the tool the material speaks back to them, and…
Continue reading »The Altar and The Portico (pt.2): Gallery Art
This is post 2 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE SACRED AND THE SECULAR The Relationship of Orthodox Iconography and Gallery Art…
Continue reading »The Altar and The Portico (pt.1)
This is post 1 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE ALTAR AND THE PORTICO (PT.1) The Relationship of Orthodox Iconography and Gallery…
Continue reading »Ciboria and Tabernacles: A Short History
(This article continuation of my last post: Holy Tables with Reliquaries: A Short History ) The Ciborium A ciborium is a form of canopy supported by columns over the holy table (25). It is sometimes also called a baldachin, but strictly speaking this latter term should be limited to cloth canopies. Ciboria came to be common,…
Continue reading »Holy Tables with Reliquaries, a Short History
In this overview and the one that will follow I have combined the history of altars (also called holy tables), ciboria and tabernacles because their respective developments are somewhat related. In this first section I will deal with Holy Tables and will focus on ciboria and tabernacles in the second installment. My interest in…
Continue reading »A Cloisonné Enamel Reliquary Icon of Saint Vincent of Zaragoza
Editor’s note: This article continues Aidan Hart’s recent article about a reliquary for Saint Vincent of Zaragoza and details Christabel Anderson’s process for making the cloisonnée icon. This article contains a background to the history and technique of cloisonné enamel and a description of the processes used in making the cloisonné enamel icon plaque of Saint Vincent…
Continue reading »Reliquary of St-Vincent of Zaragoza
For many years I had wanted to design some liturgical work involving cloisonné, so I was delighted when Father Andrey Kordochkin of the Russian Orthodox Church of St Mary Magdalene approached me to make a reliquary for St Vincent of Zaragoza. In the cloisonné technique, thin wire is laid onto plate, usually of silver or…
Continue reading »Georgian Wonder
I have already posted an article on Contemporary Georgian artists. But it seems like every week I discover one more amazing Georgian artist doing things in repoussé, wood, stone, enamel or mosaic that very few are able to equal in quality and especially in vivacity. Vivacity is really the world to use, an art that is confident and…
Continue reading »Gilding Course to be Taught by Christabel Anderson
Iconographer, manuscript illuminator, and OAJ contributor Christabel Anderson will be teaching a fully booked eight-week course on the ancient art of gilding at the Prince’s School for the Traditional Arts in London beginning February 6. As a follow-up to this course, and the others she’s taught previously, Anderson will be conducting a five-day course at the…
Continue reading »Wedding with Carved Crowns
Several months ago I posted an article on wooden crowns I had carved for a young couple. Well, I was overjoyed when this newly married couple, Peter & Chelsea Simko sent me pictures of the ceremony using the crowns. I thought I would share them with all of you. May Christ crown them with glory!…
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