News
Review: Great and Holy Pascha and The Mystic Pascha
In a recent panel discussion on music for the Orthodox Christian Studies Center of Fordham University, composer Benedict Sheehan made the observation that the publication of musical anthologies tends to solidify and codify generational snapshots of particular traditions, carrying authoritative weight for those who use it as a resource. These anthologies… put on the page…
Continue reading »Saint Tikhon Choir & Company Release Chart-Topping Album
South Canaan, PA—On August 28, the world-premiere recording of Alexander Kastalsky’s Requiem was released by Naxos Records. The recording—which was made during a live performance in the Washington National Cathedral in October of 2018 in celebration of the 100-year anniversary of the World War I Armistice—features the combined forces of multiple GRAMMY-winning ensembles, including the Cathedral Choral…
Continue reading »Introducing the Institute of Sacred Arts at St. Vladimir’s Seminary
The Holy Liturgy in the Orthodox Church can be said to be the aspiration towards, if not the actualization of, a “complete work of art” – a synthesis of all the arts – whether it be music, painting, mosaic, embroidery, poetry, architecture, sculpture, choreography, rhetoric, etc., at the service of theology and divine worship.…
Continue reading »Orthodox Church Design Featured in The Pennsylvania Gazette
My design work for Orthodox Churches has been featured in an article in The Pennsylvania Gazette, the magazine of University of Pennsylvania (my alma mater). It includes an interview discussing how I came to my vocation and my philosophy of traditional church design, followed by a lengthy excerpt from the book Charleston Fancy. I am…
Continue reading »Andrew Gould Featured in New Book and New Website
Andrew Gould, founder of the Orthodox Arts Journal, has been featured in a new work by popular architectural writer Witold Rybczynski. The author of over twenty bestselling books, Rybczynski’s latest work is called Charleston Fancy: Little Houses and Big Dreams in the Holy City. The book is a history of Charleston architecture, told through the…
Continue reading »Worship in the Workshop: Providing Opportunities to Raise the Bar
The joke is at times heard that in the chapels of some of our seminaries, they “don’t worship but workshop.” The sense of this witticism is that what happens in their services is experimentation with rubrics, texts, service order, with an impulse towards “reform.” Over the course of this last summer, however, I was blessed…
Continue reading »Coming Soon: The Liturgical Arts Academy, August 18-24 2019
English-speaking Orthodox faithful in the United States who have wanted to learn the liturgical arts of the Orthodox Church — music, iconography, vestments, architecture and furnishings design, etc. — have historically had limited opportunities to study with knowledgeable teachers. Some have had the opportunity to go overseas to countries such as Greece and Russia to…
Continue reading »Wrestling with Angels: Icons from the Prosopon School
The Museum of Russian Icons in Clinton MA will premiere Wrestling with Angels, an exhibition of forty-six contemporary icons by sixteen iconographers from the Prosopon School of Iconology and Iconography, July 19-October 27, 2019. Exploring the recent renaissance of this ancient tradition, the exhibition will feature icons by the founder of the Prosopon School, Vladislav Andrejev, along with works…
Continue reading »Benedict Sheehan: Liturgy of St. John Chrysostom (2018)
Liturgical Music in America Liturgical music is closely bound up with the people that sing it. Language, history, culture, experience, education, social class, all of these things shape the sound-world of worship. The people that founded Orthodox parishes in America more than a century ago—for the most part, immigrants from Russia, Greece, Eastern Europe, and…
Continue reading »Sacred Choral Treasures of the Russian Emigration Premiered at the Moscow Conservatory Marking the Centenary of the Revolution: 1917–2017
In late 2016, as the tragic centenary of the Russian revolutions was approaching, conversations began among musicians in Russia and the U. S. regarding an appropriately solemn and musically significant way to pay homage to the memory of those who had been affected by these events—in particular, composers, choirmasters, and church singers—both those who suffered…
Continue reading »